Alaïa-Adrian
There were piles of photographs, paintings, drawings, costumes and a cellar packed with clothes, maybe 500 pieces. I looked and saw outfits made for Garbo, Marlene, with their names sewn in, and I said to myself there was no way that all this could be dispersed. Azzedine Alaïa
Alaïa/Adrian, masters of cut © Raftermen/SCAD
Masters of Cut brings together sleek designs and impeccably tailored looks by beloved designers Azzedine Alaïa (1935–2017) and Gilbert Adrian (1903–1959). Garments on view display the intricate detailing of Adrian’s suits — the mitered stripes, clever seaming, and unexpected appliqués — in dialogue with Alaïa’s body-celebrating designs. Pairing their work, the exhibition reveals the designers’ intertwined and enduring legacies.
Alaïa was a consummate collector of Adrian’s work, reveling in the designer’s fit, form,and proportion.
In addition to tailored looks from both designers, Masters of Cut features a selection of Alaïa’s career-defining gowns worn by fashion icons like Grace Jones.
Alaïa/Adrian, masters of cut © azzedine alaïa foundation
"Our SCAD FASH exhibition of Alaïa and Adrian conveys the unique energy of a couturier collected by a couturier,"said SCAD President and Founder Paula Wallace." The young Azzedine Alaïa so admired Gilbert Adrian — famous for Dorothy’s luminous ruby-red slippers and much more — that he ultimately collected more than 150 of Adrian’s original pieces.Genius knows genius! Using the precision of laser cutting to achieve designs perfectly fitted to the body, Alaïa himself, like Adrian before him,became an exacting master of intricate and elegant couture."
Widely known for his fanciful designs for The Wizard of Oz, Adrian was the head of costume design for MGM during the Golden Age of Hollywood (1928–41). His garments for stars like Greta Garbo, Joan Crawford and Norma Shearer were praised by the fashion press and emulated by stylish moviegoers worldwide. In 1942, Adrian established his own atelier in Beverly Hills, and for the next decade his chic, strong- shouldered, narrow-waisted suits and gowns changed the fashion industry and the lives of women everywhere.
Alaïa who trained as a sculptor, left Tunisia for Paris in the mid-1950s to pursue fashion design. His gift of construction and his obsession with cut and fit shaped garments that are unrivaled in accentuating the female form.
Recognized internationally in the 1980s and early ’90s for designs draping iconic supermodels Naomi Campbell,Stephanie Seymour,and Linda Evangelista, Alaïa continued to dominate the world of fashion throughout his celebrated career.
Alaïa-Adrian:Masters of Cut is curated by fashion historian and curator Olivier Saillard and organized for SCAD FASH by Rafael Gomes,director of fashion exhibitions.
